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Fantasy Map Review V: Birthright

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For links to all instalments in this series,  go here . For the fifth instalment, we come to Cerilia of the Birthright setting. And I move from admiration to love. First Impressions:  I first became aware of birthright when the  Birthright Conspectus  was included in one of the boxed sets I bought at the time, which included the fullsized map above. It was, simply put, love at first sight. I adored the the woodlands, the mountains, the colour scheme and the stapled borders  - It seemed like a world truly alive. More than anything, it was the map that made me want to know more about this setting. Further Thoughts: This is is still one of my favourite maps, maybe my alltime favourite. Although the scale of Cerilia is clearly more localised than Faerun or even the Flanaess , the sense of there being plenty of opportunity for exploration and adventure is developed with stunning level of detail instead - Where the Forgotten Realms gives a sense of never running out of new land

Fantasy Map Review IV: Forgotten Realms

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For links to all instalments in this series,  go here . For the fourth instalment is yet another iconic map piece - Faerun. I've gone for the 3rd edition one as that is probably the most widespread one out there and also (imo), the best. Ed greenwood does a lot of the same things right as Gygax did with his Flanaess map. He understands that placement of seas as separators; points that cultures congregate around; and routes that open up and connects different adventuring areas really makes a difference to a good map. He nails it with the Sea of Fallen Stars and the multitude of bays, lakes and reaches that feed into it. One boat can set sail in the sea of salt in Mulhorand in the deep south and meet up in the Sea of Fallen Stars with a vessel that started from the tortured lands near the great glacier, passing through Damara, Vaasa and Impiltur before entering the sea proper. Great stuff. What is really striking about this map is the scale of it. It feels larger than th

Fantasy Map Review III: Dragonlance

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For links to all instalments in this series, go here . Next up is another map many will know but few have praised - The map of Ansalon from the 2nd edition Dragonlance boxed set "Tales of the Lance". First Impressions: My initial impression is not as favourable as the preceeding ones, but there are still some interesting things going on here: The gulf of the new sea tells a story about how kingdoms shape up in central ansalon. Southern Ergoth looks like a kickass island of adventure. And I want to know more about that southwestern strip of the mainland bordering Southern Ergoth. I'd also like to know more about those island kingdoms up in the northeast corner. And what's going on around the Bay of Balifor? Besides that, the north and south just sort of... end, with wastelands at each end (plains of dust/Icewall, Northern Wastes/Nordmaar). The bloodsea puts a downer on what could have been an eastern Ansalon full of vitality. And the centre of the mainland

Fantasy Map Review II: Greyhawk

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For links to all instalments in this series,  go here. Second instalment in the series gives a strong showing with another iconic example - The Flanaess as depicted in the World of Greyhawk Folio from 1980: First Impressions: It is with a certain amount of awe that I delicately unfold my original Darlene maps from the Greyhawk folio - Still in top notch shape after 35 years thanks to the sturdy paper the folio edition were printed on. From a gamer's perspective, you can't ask for more  - They are huge, sturdy enough to take to the table and have a lot going on. Not as beautiful and flavourful as Middle Earth, but still a work of art. And hex-mapped. All awesome. Further Thoughts:  The Flanaess is to me the gold standard of how to draw up a setting map. No borders are drawn and none are needed. The geography naturally points out how regions are shaped and interact with each other. You can learn a lot about the Flanaess just from this map: The Sheldomar Valley countri

Fantasy Map Review I: Middle Earth

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For links to all instalments in this series,  go here. We're off to a somewhat lacklustre start with perhaps the most iconic fantasy map of all - J.R.R. Tolkien's Middle Earth First impressions: Love the style, it is immensely flavourful and says something about kind of world Middle Earth is. It makes me want to dig into its pockets and see what mysteries have been scribbled on to this piece of lore. Second thoughts - As a setting map, Middle Earth is, geographically speaking, dull as dishwater. Just a slab of land with a coastline, a few mountains and woods dotted here and there. For an entire setting, it doesn't give you much to explore or evoke many impressions about the realms there and how they relate to each  other. Some will argue that there is more to Middle Earth than this, but not effectively so. This is the main campaign map the same way the Flanaess is the main area of Oerik and Faerun is the main area of Toril. As a setting map, it falls flat - Ju

MAPS. It's a big thing

Man, maps. As a teenager I spent hours pouring over them,studying areas and worlds based on them. Who was neighbouring who and what areas did they have to go through to get to each other? How many day travels deep is that forest? How few roads are in that area? How many towns per days of wilderness? I sort of left behind this level of scrutiny in my 20s in favour of more explicit and condensed information but I don't think now that this was for the better. These sort of questions are evocative and immersive. A map says a lot about the kind of setting you are dealing with. The map of Erce has gone through a lot of evolution over the years. About a year ago I thought I had settled on the map structure, but even now I am making small changes to the continent. Over the next few weeks, I will discuss different setting maps, how they inspire (and how they don't) and wrap it up with an introduction to the actual map of Erce,it's evolution, why it is way it is, what I like

What's next

The forthcoming post on the Hearthstone church is indefinitely delayed. I feel like I have plenty of good ideas about my Christianity ersatz, and plenty of ideas for making it distinct enough that it only reminds of rather than emulates, but I am stuck between a few concepts and don't have a feeling that I've quite nailed this one yet. I've written lots of other stuff and will share in a less orderly manner than I originally planned (creative impulse follows its own schedule I am learning). But I also feel a wish to discuss some more meta like subjects. Inspirations of mine, why they inspire and so forth. So you can expect some assessment of other settings in the near future as well.

Religions of Erce, pt 2: The New Order

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This is part 2 of three parts. For intoductory notes on all three, see  Religions of Erce, pt 1: The Old Faith. The New Order Unlike the individualistic mystery cults of the Old Faith, the New Order is strongly community oriented and wholly focused on the rise and betterment of mankind. Over 1700 years ago, just prior to the founding of Nydecia, the Nine Gods of the New Order joined to make something wholly new: A unified pantheon working for a common goal: The  undeterred growth and expansion of civilization. Where the Old Gods were satisfied with their co-existent hegemony over Chaos, the Nine proposed a new world order: To altogether drive Chaos from human lands and establish realms where denizens of Law could do more than just exist; where civilization could grow, prosper and develop entirely free of the threat of the monstrous forces of Chaos. Thus were the Dominions of Law born, with Nydecia the first and mightiest of its kind. With the rise of the empire, the

Religions of Erce, pt 1: The Old Faith

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Ponderous Introduction There are three major religious streams in Erce - The Old Faith, The New Order and the Hearthstone Church. Each represents an evolution (in the context of the setting, meant here in a neutral sense) of the human worldview and its relation to Law, Chaos, Others and Oneself. Briefly, the Old Faith reflects the fragmentary tribal warrior societies where survival, personal glory and achievement and prosperity for one's nearest are at the forefront - It is a religion where Law is the strongest, but not necessarily dominant, hegemony that lives in proximity to the forces of Chaos and must need be flexible in its dealings with these. The Nine Gods of the  New Order are more akin the Roman gods - A state religion (though, rather than state-sponsored gods, it is a case of states sponsored by gods) whose devotion and spread is intimately connected to the welfare and prosperity of the realms it patronises. It is community oriented and seeks the greater good

Ponderous Notes on Gods, Religions & Similar Creatures

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There's a special conceit in Erce concerning gods - They are strictly for humans (and their related lawful races such as Dwarves and Halflings). In D&D, it is common to find racial pantheons - The elves have their own pantheon, the dwarves, orcs and oozes and jellies all have their own racial deities. I am not going that direction, because it's not what I am observing in European mythology as being the case and I think running with this a bit not only plays well into the themes I have set out for Erce, but also makes for some interesting angles for a game world - Curiously, given that I am cripping earth mythology here, I haven't seen much of this in fantasy. So anyway, in places mythologies like the Nordic and Celtic ones, we see that gods is generally something connected to humans. Other beings like trolls, elves, dwarves, etc don't enjoy their favour or patronage. The supernatural races are as often, if not opposed, then subjugated to the gods. More

Alignment in Erce

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Being a write-up of how alignment works in Erce and a few ponderous notes on said write-up. Pic unrelated. Alignment Alignment in Erce runs on either a 2 or 4 point axis. The most fundamental and unavoidable one is Law vs Chaos – This is an either/or disposition. If you are not Lawful you are, by definition, Chaotic – There is no in between. This alignment axis is more of an allegiance, or even obligation, than an ethical or philosophical outlook that dictates ones actions – It is most fundamentally choosing sides in a cosmic battle. An adherence to a metaphysical, but very much tangible, faction. The other polarity is an ethical one: Good vs Evil – Unlike Law and Chaos, most people are not strongly aligned with these to be truly considered either. Though good is known and valued all across the West, the notion that people ought to be guided wholly by ethical choices is not a universal one. Being morally upright is a value that must be weighed against other values lik

Law & Chaos

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Although Erce has simmered in the visions of authors like Zelazny, Poul Anderson and Moorcock and in many ways seeks to make sense of the original Law/Chaos dichotomy of old D&D (such as presented in Keep on the Borderlands ), the primary inspiration for its alignment structure (and developed well before my encounter with the OSR inspired me to take things up a notch) is Nordic mythology. A brief sketch of their worldview will go a long way towards understanding the worldview of Erce - The Aesir , the gods, were the upholders of Law, who kept humanity safe from the Chaos of the wilderness (which is full of predators, Jotun and monsters) and even built great cosmic walls to keep them at bay. The Aesir may rule the roost before Ragnarok, but they are essentially usurpers of the cosmic order and self-aware of being so (they know Chaos will get the upper hand again at Ragnarok), having killed the first Jotun to shape the world and subjugated the rest to fit their world order. In

Welcome to Erce

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Erce is most fundamentally a setting where mundane people can leave behind their regular homes and enter a dark and chaotic mythic wilderness. In the human dominions of Law, the gods rule and they have ordered the lands and made them relatively safe. Beyond the divine dominions, in the wilds, Chaos rules and all bets are off. Here one may encounter bloodthirsty elves riding with goblins in wild hunts; troll sorcerers abducting babies for their thaumaturgic rituals; woodlands that are larger on the inside than the outside and paths that can not be retraced. Conversely, one may also meet with an elven champion of life, song and laughter who arrives to save villagers from undead incursion, a cunning giant wizard who will trade ancient spells for a small favour and demonic imps who wish only to show you the true meaning of free will. Hildebrandt captures a lot about the feel of Erce. The champions of humanity who enter these mythic lands are inevitably touched by the gods an

A Setting to End All Settings

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Erce started out as one of those teenage love affairs – A setting to end all settings, that would have room for all the fantasy elements I loved and wanted to see in a world – When only this setting was fleshed out, I would have a world that I could run any campaign of any kind I'd ever want to. A perfect and inclusive vision of everything fantasy meant to me! And also keep alive those most precious glimpses of vital nostalgia from my emergent adolescence. Small task indeed. It started out in my mind as a sort of Dragonlance + Greyhawk mix, but with 'better done' Tolkien inspiration. And stayed like that, mostly dormant, unpolished and wholly unfinished, for a long time. Fast-forward a decade or so, and I began to re-visit my old notes. Only now, my fantasy inspirations had broadened quite a bit – The Sword & Sorcery of Conan (and Red Sonja too, I like comics), Thieves World and Jack Vance; the terrible mediaevalism of A Song of Ice and Fire; the hodge-podge gonzo