Posts

Further thoughts on "B/X-5e" hack: RedNext

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First of all, in reply to some of the comments on my previous entry as to whether 5e hacks can be considered old-school or not and why I will continue to bill my little pocket project as OSR in my own mind - I like  Greyhawk Grognard's definition: "We play the old games, and the games that feel like the old games." 'nuff said. On to other matters: I guess I am going ahead with this. Yesterday, I took the 5e SRD, split it into six booklet documents. Then I stripped it of all the stuff that won't fit in with my "Redbox 5e" mix. Cosmology guff, classes beyond the four basic ones, all races save dwarf,elf, halfling, feats and skills.  3 for players: Book 1: Characters (45 pages) Book 2:  Playing the game (29 pages) Book 3:  Magic (112 pages) And another 3 for the DM: Book 4:  Running the Game (16 pages) Book 5:  Treasure (63 pages) Book 6:  Monsters (164 pages) Something like this if ever actually printed. Great for the actual table.

5e as the OSR engine of choice

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So, recently I've been pondering the right D&D system.  Since then, I've been leaning heavily towards 5th edition as the OSR engine of choice. Now, some of you may say "5th edition isn't OSR, man. It's got feats, and warlocks and dragonborn". And sure, it probably isn't. I am calling it the OSR engine of choice, because I delved into OSR games looking for a system designed on principles that the OSR champions: Simplicity, streamlined, easy to houserule, speed of play, limited amount of moving parts. Now, full blown 5e doesn't exactly meet those requirements, but the free version, Basic D&D 5e, does. The four classic races only, The four classic classes only, no feats. Few modifiers, easy and simple maths, few assumptions on equipment. Lovely really. Use one of the skill variants in the DMG for simpler and better skills and houserule in a stricter healing system and I'd say you have a lean, balanced and fast engine that can stand toe

*Adventures in Middle-Earth Player's Guide" is in my hands.mwuahahah

Just scanning the Overview Chapter so far and I am already seeing stuff to strip mine for my own game. dis gun be good.

Meditations on the right D&D system - how to choose?

I have recently felt a yearning to settle on a proper system as a lens to express and think D&D through. The ones that are floating through my mind are B/X, Swords & Wizardry, 5e, DCC and Fantastic Heroes & Witchery. For pure nostalgia, B/X is the one. And also why I am not feeling it for Labyrinth Lord. I don't really see what it is supposed to offer as a new  iteration of BECMI when simplicity+ nostalgia is a driving force? Less nostalgia and with little better solutions to make up for it that I can tell. 5th edition is the easy choice. It is modern, streamlined, easy to run. But its strength is also its weakness. It is so very tight and balanced - meaning every tinkering has a consequence (although far less than 3.5 or 4e). This sort of system also creates an expectation of balance, 'fair progression' etc. These may be valid concerns, but I'd like a system that flips players into a world where these concerns are trivial. This concern is contradi

Made a logo

For the blog and whatever pdf and such I end up releasing. that is all. 

Fixing the Cleric? Make Sense of the Cleric

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Googling "Fixing the Cleric" in quotes give ca 17900 results. Obviously, this is a recurring theme of frustration among D&Ders. So here is take 17901 trying to do the same. Why this keeps coming up is not hard to see - There are no clerics in fiction. It doesn't match to any sort of narrative archetype. The only archetypes it is recognised as is gamist: "the healer". As it is, it falls squarely between the two stools of religious warrior (which is the Paladin) and Mystic (which doesn't really exist in D&D). It's not that divine classes themselves struggle with this. Paladins are an easily recognisable archetype, as are druids. Yet, somehow clerics seem to expertly evade narrative recognition after decades of being a core class in D&D. The Cleric as Gamist Archetype Maybe if they had made the cleric more like the monk, using simple weapons and little armor but being somewhat capable in melee anyway and then jazzed that up with cl

Adventures in Middle Earth for D&D 5e pre-ordered

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I just  Pre-ordered Adventures in Middle-earth Player's Guide and Loremaster's Guide  from Cubicle 7. Probably the first pre-order I've ever done as I normally like to wait for reviews. I am dead excited about this one. I bought The Heart of the Wild  from them, knowing I would likely never play it, just to see their take on this type of area as a gaming setting - and loved it. I have admired the craftmanship of ToR for a while, but also know that my gaming group dislikes spending time on learning a new system and convincing them to switch would be next to impossible. Adventures in Middle Earth not only allows me to pitch a "Middle Earth Done Right" campaign with 5e - But from looking at  their FAQ , it seems they plan on re-tooling classes and backgrounds to suit Middle Earth. Presumably making them much less overt and more setting-grounded flavourful than the 'sling fireball / epic smite'  style of D&D. I am also eagerly anticipating what

Re-blog: A great article on worldbuilding

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Today, I stumbled on the excellent  Tales of the Grotesque and Dungeonesque  blog and found this article that any aspiring setting brewer should read: World-Building: When is Enough Too Much? It really spells out and crystalises some of my own thoughts on why 'Brevity is king' In particular this passage: (B) A lot of world-builders are kidding themselves about the uniqueness of the history they've written for their settings. If it fits into the familiar pattern of “In the Age of Fire, the dragons rose and gathered these followers, but were eventually beaten back by the Knights of Gorro, led by the Great King Fajadhul who founded the city of Dahan in the Year 100030” you should realize that the words and dates could be swapped out to create the back story of a million other nondescript fantasy settings. This is sub-Tolkienism. Struck home with me. I have been brutally guilty of this in the past, and still am to a certain extent, though I am trying to condense it on

Fantasy Map Review - A Teaser for Erce

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I've been stalling on finishing my  Map Review Series  - Given that the last one to review is my own. I am a bit shy and self-conscious about it really, given the body of work I have reviewed prior to it. Anyway, I probably should just accept it will never be finished and get around to sharing it. Until then, here is a teaser to share with players for the Calmir Eastwilds, one of the Borderland regions in Erce and one of the prime campaign areas Here is a snapshot of the whole setting and where the Eastwilds fit in.

Now you too can use Alignment Languages

Back in the day, when I thought alignments were stupid and confining to character development and lawful/chaotic made the least sense of all, nothing was more contrived than alignment languages . From the Rules Cyclopedia: Each alignment has a secret language of pass- words, hand signals, and other body motions. Player characters and intelligent monsters always know their alignment languages. They will also recognize when another alignment language is being spoken, but will not understand it. Alignment languages have no written form. A character may not learn a different alignment language unless he changes alignments. In such a case, the character forgets the old alignment language and starts using the new one immediately. So because of your philosophical convictions, you learn how to speak a new language. Right, way to go putting everything in black and white. I wondered if anyone ever actually used this bizarre device at the table. Of course, since then I've done a

Humanoids, Part III: Kobolds

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Kobolds wrap up this little mini series on humanoids. Not because they merit a special place or anything. Really, it's just that they didn' fit into the previous two and they have just enough going for them to be mentioned anyway. I should say in advance: It's not a generous treatment. Kobolds, as the lowest hit die humanoid on the block, get the dumpster treatment. With goblins feyed up, made a bit more spooky and capable, Kobolds are the ones left to fill another niche. A quick look at the  wiki page for Kobolds  shows that kobolds play a very different role than goblins: They are house spirits, mining spirits, sailing spirits, performing menial chores for humanity. In other words, they are a race connected with civilization far more so than the mythic wilderness. And generally, in the garbage end of the hierarchy. Intelligent rats. They are basically sapient vermin. Kobolds in Erce are found in every major city in the west. They live in sewers and slum

Humanoids, Part II: Trolls

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This is a followup to  Giving Humanoids a Raison d'ĂȘtre , where I cover the Goblins Bugbears, Ogres and trolls. Or simply: Trolls. Let's throw in hill giants, ogre magi (Onis) and hags for good measure. The humanoids discussed in the previous entry were, in a sense, write-ups of  Gygaxian Naturalist  critters. In this article, the remaining ones will be those of a decidedly more mythic  bend. I've compiled them all under the label: Trolls. I've never loved the D&D troll. As a critter, it is a fine piece of work. Everybody fears and loathes regeneration. But trolls, at least as a Scandinavian, has unavoidable mythic connotations to me that Poul Anderson's strange concoction does not meet in any shape or form. The D&D 'troll' is wonderful Chaos Beast no doubt, but it is not mythic. And trolls are mythic. Instead, I've stripped the D&D troll of its rank and title and assigned it to some others critters of mythic origin who could really

Four Maxims for World Building

This is a re-post of an article I originally posted at Strolen's Citadel , which ended up featured in  Roleplayingtips.com, Issue 441 as well. I am posting it here as it still informs my general approach to worldbuilding. I thought I’d share here a short list of four maxims that I use for good fantasy world building to flesh it out in a believable way that makes a setting come to life as a distinct world. 1. Internal Consistency, not Realism , is the benchmark of a believable fantasy world. You don’t need to make your world realistic to make it believable. What is key is that the elements in your world are internally consistent. Whenever you add an element to your campaign, be at a race, city, country or person, always ask yourself the following questions: Where did it come from? How does it affect the elements around it? How do the elements around it affect it? Also take time once in a while to consider how the various layers of your world interacts. If ogr