As an adult, my favorite class is the regular fighter, though I did enjoy playing a paladin straight for a campaign's worth. As a teenager, I did not mirror myself in glory fantasies or related all that well my own masculinity (so fighter wasn't all that for me) and power fantasies were rather fleeting for me (and so Wizards, while cool, were also a fleeting fascination for me). What I really related to was the second edition Bard. Not because I saw myself as a budding minstrel, but for all the non-entertainment aspects of the class. A jack-of-all-trades, extending even to magic, who seems to adventure, not for glory or power, but simply for the sake of adventure. That was something that resonated a lot with my teenage self. Reflecting on this today, makes me think on the strange fit the Bard is setting-wise.  This bard is about to rock your world with his flute and fat shortsword. I mean, what's the deal with a minstrel that knows magic and a bit of everything? Do all   mi

Mmmm, races from the good old days, Before tieflings, drow and dragonborn became core options in the World of Warcraft menagerie that is modern D&D. This is the D&D liberals want. There are no half-orcs in second edition. I don't miss them and honesty feel half-elves could just as well have been left out. Although it is the ability score adjustments that perhaps initially draws the eye on that first page of the PHB chapter, that is really only a small part of the page and everything else is actually the interesting stuff: Minimum and maximum ability scores. Class Restrictions.  Level Limits.  How can we know that Dwarves are a durable and stocky lot? Because no dwarf will ever have less than STR 8 and CON 12. We can know elves are clever and prepossessing folk, because no elf has less than 8 in INT and CHA. It goes the other way too - Dwarves have a cap of 17 for DEX and CHA (which means with the -1 CHA adjustment, no dwarves with more than CHA 16) and can never  become wiz