This is the first entry in a series on Mythic Greyhawk. Upcoming entries will include Religion & Cosmos and History, Kingdoms & Cultures and what else I end up thinking of. One of my favorite GH illustrations. A baroque wizard sitting on an owlish griffon on top a ruin with an adventurous landscape in the background - somehow the image still has an earthy naturalistic character. All very Greyhawk. M ythic Greyhawk takes the Greyhawk Folio as its base (and looks at the boxed set more often than not) and borrows freely from other sources, whilst discarding and altering just as freely. The starting year is 576 CY, although most lands outside the great kingdom use Oeridian Record, of which the year is 1220. Mythic Greyhawk is a world much like a medieval Europe. The following paragraphs are obvious truths to all its inhabitants: The strange exotica of faraway lands usually more exotic than the tales told of them. All the faerie tales are terrifyingly true.

The original Greyhawk Folio states of itself: "The world of greyhawk is yours now -- Yours to do with as you wish. You can mold new states out of old ones or inflame ancient rivalries into open warfare as you tailor the world to suit the needs of your players." To me, this is a feature of Greyhawk worth more attention. Of course, there is implicit permission to do so with any setting embedded into the very nature of roleplaying, but few settings put it out as their Raison D'Etre and then follow through. As I mentioned  in my previous entry , part of the beauty of Greyhawk is how many things it leaves unsaid. This is what the makers of the boxed set wanted you to see when thinking of Greyhawk The Folio is a scant 55 pages, and was never originally meant to be a fully fleshed out world. It is presented as a skeleton for DMs to  "use as the backdrop of a new campaign without changes; or, as an alternative, city, country or geographical descriptions can be

I've written about Greyhawk before without ever telling the story of my own relationship with the setting. I came to it rather late, in the late 90s when it had been long discontinued (even the From the Ashes  reboot had been discontinued), at a time where I considered myself savvy in the worlds of Dragonlance (my first D&D world), Forgotten Realms (cool things in there, but why is it that  popular?), Dark Sun and Ravenloft, and the only thing I knew of Greyhawk was as the red-headed stepchild of TSR. My first real encounter with Greyhawk though was through a Danish magazine, SAGA, written back in 1992, that did an "intro to greyhawk" article titled "Greyhawk - The oldest of all worlds" that caught my imagination. Scan of the original article from Saga #14 Click here to read an English translation in pdf This seemed like a setting that had room for all the things I expected from a genuine D&D fantasy setting. More room for medievalism, more k

After Forgotten Realms, we move further back in time to take a look at the setting it knocked off its perch as the de facto setting at TSR - Gary Gygax's very own World of Greyhawk (I will, at times, be comparing the two settings for the very same reason). Quick intro to the setting (See also my  review of the map of greyhawk  - Incidentally, the most visited entry on my blog) The world of Greyhawk is a Sword & Sorcery setting built on a proper medieval chassis with just a light sprinkling of Tolkien influences.  It is built around a dichotomy of the lands of Men being relatively mundane, with the history and cultures of these having a suitably 'realistic' feel and the wilderness being home to the Weird - The place where adventurers go to experience the fantastical. Here, Greyhawk has a strong 'anything goes' approach where spaceships, timetravel, contact with other worlds, from the silly to the serious, are all within the tone of the setting.

Today, I stumbled on the excellent  Tales of the Grotesque and Dungeonesque  blog and found this article that any aspiring setting brewer should read: World-Building: When is Enough Too Much? It really spells out and crystalises some of my own thoughts on why 'Brevity is king' In particular this passage: (B) A lot of world-builders are kidding themselves about the uniqueness of the history they've written for their settings. If it fits into the familiar pattern of “In the Age of Fire, the dragons rose and gathered these followers, but were eventually beaten back by the Knights of Gorro, led by the Great King Fajadhul who founded the city of Dahan in the Year 100030” you should realize that the words and dates could be swapped out to create the back story of a million other nondescript fantasy settings. This is sub-Tolkienism. Struck home with me. I have been brutally guilty of this in the past, and still am to a certain extent, though I am trying to condense it on

For links to all instalments in this series,  go here. Second instalment in the series gives a strong showing with another iconic example - The Flanaess as depicted in the World of Greyhawk Folio from 1980: First Impressions: It is with a certain amount of awe that I delicately unfold my original Darlene maps from the Greyhawk folio - Still in top notch shape after 35 years thanks to the sturdy paper the folio edition were printed on. From a gamer's perspective, you can't ask for more  - They are huge, sturdy enough to take to the table and have a lot going on. Not as beautiful and flavourful as Middle Earth, but still a work of art. And hex-mapped. All awesome. Further Thoughts:  The Flanaess is to me the gold standard of how to draw up a setting map. No borders are drawn and none are needed. The geography naturally points out how regions are shaped and interact with each other. You can learn a lot about the Flanaess just from this map: The Sheldomar Valley countri